墨形
Formation of Ink
延續第一檔個展《情。形》，過去我藉由「魚書」典故，以鬥魚象徵書信，作品中藉著魚尾變形或物件對立的方式揣摩情感的表達，有的取用自然符號的象徵；有的藉由點、線、面所帶來的感覺；有的是肢體及面部的直覺感官，試著用不固定的風格來呈現「情」。
經過這兩年的創作發展，我發現下刀與鏈鋸在作品上留下的線條，還有草圖構想時所繪的主體結構，和書法書寫時的邏輯有些相似之處，於是我開始研究雕塑與平面書寫—水墨的關係。
書法中下筆有濃、淡、乾、濕、藏鋒、露鋒、平、仄、留白......等技巧，同時在書寫完成時留下整體的一種韻律與精神。這些與繪畫、攝影中的清晰與放鬆，配角襯托主角類似，對於雕塑我想也是如此，也有著筆觸(刀痕)，點，線，面，主，負空間...等等，但更有挑戰性的是在360度的角度中去呈現原本平面的概念，且具備那樣的精神。
《墨形》這檔展覽在主要再提出上述將書法、水墨概念融合進雕塑，同時宣告我將書信由符號轉變到風格的啟程，這一系列所呈現的是造形和韻律感，是針對「形」而非內容的研究，同時放寬往後創作時，符號對於內容傳達的侷限性。我在這樣的風格中思考，如何更進一步使作品同時具備剛到柔，具象到抽象的可能性，且具象部分能夠包含我想使用的肢體語言，帶給觀者更直觀感受，就如同大學時期所做的人像，同時抽象部分的線條，塊面能夠輔助加強這種感受，以達到我想傳達的內容，如過去《情。形》所研究的，最終能滿足書信所寫下的，要傳達的內容。
Follow the last exhibition “Formation of Love”, I used betta as a symbol of letters with “missives” in Chinese classical literatures. I expressed my personal emotion in ways like reshaping fish tails or opposing objects, some adapting natural symbols; some using feelings from points and lines to planes; some being the instinctive reflection from body and face; trying to represent “love” by different styles.
After the past two years, I found the lines that been left from carving and sawing, and the main structures when picturing drafts shared some similar logics with writing Chinese calligraphy. Therefore, I started to research the relevance between sculpture and Chinese calligraphy.
There are various techniques when writing Chinese calligraphy, for example, controlling the density of water and ink, transferring the strength when writing and leaving the blanks with a sense of aesthete, all of them represent a kind of rhythm and spirit while finish the writing. To me, the stroke of sculpture like point, lines, planes, positive or negative spaces are similar with clarity, relaxation and a purpose of relieving the subject under painting and photography. But the biggest challenge for me is expressing my original 2D concept in 3D form while maintaining the same spirit.
In this current exhibition “Formation of Ink”, I present the concept above again, mixing the perspectives of Chinese calligraphy and painting in my sculptures, and declare a start of transferring from signs to style by letters in the meantime. The modeling and rhythm are the main parts of this collection; it focus on “shape” rather than researches of meaning in order to broaden the dimension for my future creation. Basing on these perspectives, I considered how to contain the possibilities of hard and soft, abstract and concrete at the same time. On the concrete portion, I can bring direct feelings to audiences by expressing body language on works just like my former works in college; on the abstract portion, lines and planes can emphasize the feelings to achieve the content that I try to convey. As “Formation of Love”, which I researched before, it is writing letters that fulfills the meaning I want to represent.
墨形 Formation of Ink
92 x 27 x 30 cm / 樟木、油彩、不鏽鋼、日本檜木Camphor Wood, Oil Paint, Stainless Steel, Cypress Wood / 2022
一把火2 A Torch 2
30 x 78 x 22 cm / 樟木、不鏽鋼、油彩 Camphor Wood, Oil Paint, Stainless Steel / 2022
高峰之上 On the Pinnacle
30 x 19 x 50 cm / 樟木、油彩 Camphor Wood, Oil Paint / 2022
擒 Hold
27 x 23 x 53 cm / 樟木、油彩、不銹鋼、鐵 Camphor Wood, Oil Paint, Stainless Steel, Iron / 2022
曲 Turning
105 x 27 x 30 cm / 樟木、油彩、不鏽鋼、日本檜木 Camphor Wood, Oil Paint, Stainless Steel, Cypress Wood / 2022
彼此 Each Other
26 x 16 x 57 cm / 樟木、油彩、不銹鋼、鐵 Camphor Wood, Oil Paint, Stainless Steel, Iron / 2022
舞 The Dance
26 x 21 x 80 cm / 樟木、油彩、不鏽鋼 Camphor Wood, Oil Paint, Stainless Steel / 2022
我為你綻放 I Bloom for You
24 x 18 x 40 cm / 銅、油彩上色 Copper, Oil Paint / Edition：12 / 2022
陳修橋 CHEN XIU-QIAO
1993 年出生於台灣 / 花蓮
2016 國立台灣一術大學雕塑系肄業
陳修橋從小在山海包圍的花蓮成長，這些自然景色後來成為他創作中描寫情感的一部分元素。在台灣藝術大學攻讀雕塑系研讀的過程中接觸到各類材質，最後選擇木材質進行研究。在大學期間他也深入學習人體構造，因此開始嘗試用人體來表達情感氛圍，希望能從形體紀錄那些不可言語的情感。
Chen Xiu-qiao grew up in Hualien, a city surrounded by mountains and seas. These natural sceneries later became one of the element he used to depict emotions. In the process of studying in the Department of Sculpture at National University of the Arts, after he played with various materials, he decided to continue work with wood materials. During the university, he also studied through the structure of the human body, attempting to express emotional feelings. He hopes to record those unspeakable emotions from the body.
獲獎 / 典藏 ｜Honor
2015
台灣三義木雕國際競賽-裕隆創新獎
Taiwan Sanyi wood carving International competition, Yulon Innovation Award
2014
台灣三義木雕國際競賽-優選
Taiwan Sanyi wood carving International competition,Merit Award
第五屆國際袖珍雕塑展-優選-金瑞建設典藏
The 5th International shoebox Sculpture Exhibition,Merit Award,
2013
第四屆國際袖珍雕塑展-入選
The 4th International shoebox Sculpture Exhibition,Merit Award
展覽｜Exhibition
2022
「擬態未來」秋刀魚20週年特展—存在：三部曲，秋刀魚藝術中心，台灣，台北
“ Mimic Future ” The 20th special exhibition of Fish Art Center – Existence Trilogy
台北國際藝術博覽會，台灣，台北
ART TAIPEI,Taiwan,Taipei
秋刀魚藝術中心20年特展 《存在—以詩性探詢 EXISTENCE - THROUGH THE EYES OF POETRY》，台灣，台南
The 20th special exhibition of Fish Art Center 《Existence - through the eyes of poetry》, Tainan
2021
台北國際藝術博覽會，台灣，台北
ART TAIPEI,Taiwan,Taipei
Art Tainan 台南藝術博覽會，台灣，台南
Art Tainan,Taiwan,Tainan
2019
台北國際藝術博覽會，台灣，台北
ART TAIPEI,Taiwan,Taipei
首爾藝術博覽會，韓國，首爾
KIAF ART SEOUL,Korea,Seoul
2018
「豬事如藝」，東籬藝廊，台灣，台北
“Everything goes well”,Dongli Gallery,Taiwan,Taipei
台中藝術博覽會，青雲藝廊，台灣，台中
ART Taichung,Cloud Gallery,Taiwan,Taichung
「蓋亞的故事」，心晴藝廊，台灣，台北
“THE STORY OF GAIA”,Wellington Gallery,Taiwan,Taipei
「動物樂園」， 青雲藝廊，台灣，台北
“Animal paradise”,Cloud Gallery,Taiwan,Taipei
狗來賦-東籬戊戌祈願春展 ，東籬藝廊，台灣，台北
“Gou Lai Fu ”,Dongli Gallery,Taiwan,Taipei
2015
雲端集銳聯展，雲清藝廊，台灣，台北
“Up and Comers in Clouds”,ELAS Gallery,Taiwan,Taipei
新生代雕塑聯展2部曲-「邊緣人」，金車藝文中心，台灣，台北
“Marginal man”,King Car Cultural & Art Center,Taiwan,Taipei
2014
「初草」雕塑聯展，陽明山草山行館，台灣，台北
“Seedling”,Taiwan,Taipei,Grass Mountain Chateau